The Scottish artist Rachel Maclean has been a firm favourite of Candid Magazine ever since we interviewed her back in 2016 about her upcoming exhibition at HOME gallery in Manchester.
Martin Creed is an artist who has built a reputation for being absurd; in interviews, he talks with the pace of a whippet while twitching his legs and fidgeting his fingers.
On leaving Les Lalanne at Ben Brown Fine Arts, I was surprised not to see a line of aspiring young influencers queuing up outside: this might be the most Instagramable exhibition since Martin Creed filled the Hayward Gallery with balloons.
Newport Street Gallery in Vauxhall, south London, has been open now for three years, housing Damien Hirst’s collection in a generous space that won the prestigious Stirling Prize for its innovative architectural redevelopment by Caruso St John in 2016.
Remembering 200 years of history is no mean feat.
Space Shifters emulates the optical illusion of seeing through a looking glass.
This month, Candid Magazine’s arts correspondent Dominic Sylvia Lauren sat down with the Franco-Iranian painter, Alexandre Carin, who lives and works between London and Paris, about his latest show in Paris at H Gallery, his cinematic influences, his painting philosophy, and his newest obsession: irrational cuts.
“By using lights and their reflection, I want to show the cosmic image beyond the world where we live.
The award winning director Martha Fiennes (Onegin, 1999 and Chromophobia, 2007) has teamed up with the Hollywood actress Salma Hayek to produce a new moving image artwork.
After a deliciously tenebrous previous two exhibitions, North London’s Amar Gallery is seeing out the summer with a lighter, less enclosed feel.
An exquisite model of a Portuguese Man O’war jellyfish, made of hand-blown glass.
The city of Kyoto in the Kansai region of the largest Japanese island of Honshu was the country’s ancient capital between 794 until 1868; more than a thousand years.
‘Drag performance aims at destabilizing the “truth” of sexual and gender identity by pointing to the fact that there is no obligating reason that necessitates the constant mimicry of performed identities,’ said Judith Butler in 1990, in Gender Trouble, ‘Drag therefore exposes the social coercion at the base of the performative nature of identity.
Camden Arts Centre is an internationally renowned contemporary arts institution that places artists at the core of its programme.
Despite how it feels sometimes, this is surprisingly the first solo show at London’s Tate Modern gallery which is dedicated entirely to the legendary Spanish artist Pablo Picasso.
Exhibiting artworks by eight emerging Pakistani artists, Cultivating Wastelands is the second collaborative project between Project Art Divvy and Rossi & Rossi gallery in London.
The famed New York gallery, Guy Hepner is now showing ‘Pointillism Revisited’ by revered artist Dimitri Likissas, in association with curators, the TAX Collection.
Christabel MacGreevy graduated from Central Saint Martins with a Fine arts degree in 2014.
The French-Iranian artist, Sassan Behnam-Bakhtiar is one of the first artists to showcase Iran through eastern eyes and to challenge the negative constructs of the western gaze, Sassan Behnam-Bakhtiar’s practice aims to change the perceptions and cemented beliefs about Iran and Iranians that persist in the West.
Jaime Hayon is a Spanish artist and designer, known for his playful, chic style who has been dubbed ‘the crown prince of design’ by the Financial Times, since rocketing to fame over the past eighteen years and becoming one of the world’s most in demand designers.
When we say abstraction, you say…Pollock! Drips! Dollops! Grids! Mondrian! Search those dusty filing cabinets at the back of your mind and you’re likely to pull out more than one reference to the macho brand of abstraction we know so well.