It’s easy to see why The Pass was selected to open this year’s BFI Flare LGBT Film Festival.
One of the most interesting debuts that screened at this year’s BFI London Film Festival, it’d be rather diminishing to reduce Closet Monster to yet another coming-out-coming-of-age-tale.
Windows devotees will find much to appreciate in Steve Jobs – slick, stylish and ultimately devoid of much substance, it has much in common with Apple products as described by their fiercest critics.
At times during Carol, Todd Haynes’ film adaptation of the Patricia Highsmith novel, Rooney Mara strikingly recalls Audrey Hepburn.
My Skinny Sister tells the story of a teenage girl who discovers her older sister, whom she admires, has an eating disorder.
The Lobster is the bold, striking English-language debut of Greek satirist Yorgos Lanthimos.
The Salem Witch Trials were a shocking demonstration of what happens when fear and suspicion run rampant.
What do you tell a child born into captivity, confined to a garden shed with ‘Ma’, denied access to the outside world, to all human contact beyond his mother and his captor? For Brie Larson in the astonishing Room, you make sure that he doesn’t even know there’s a world to miss out on.
Acclaimed British director has once again brought his stylistic heft to bear in this adaptation of JG Ballard’s 1975 novel of the same name, but beneath the striking visuals and unsettling tone, there’s frustratingly little of substance.
Frederick Wiseman’s fascination with institutions and social structure continues with his latest, a documentary about the Queens neighbourhood of Jackson Heights.
Despite Tom McCarthy’s novel Remainder being deeply entrenched in visuals, it seemed a significant challenge to translate his elusively brilliant ideas into cinematic form.
For the first half hour of Anders Thomas Jensen’s Men and Chicken, I was relaxing into the idea that what we had on our hands was Step Brothers Danish-style: a slapstick exploration of family discord and resolution with an aesthetic less apple-pie and more Grimms’ Fairy Tales.
Despite being set over a hundred years ago, Suffragette is a timely film, with the message that when the most vulnerable in society are continually belittled and ignored by those with privilege and power, something has to give.
Although American Pie put him on the map, it’s interesting that writer/director Paul Weitz’s biggest critical success to date is About a Boy, a cross-generational friendship tale full of charm and, some might argue, carefully controlled schmaltz.
Netflix has grown remarkably from its original online streaming days, producing its own shows and now movies.
This strong fifth film from Chilean director Pablo Larraín is an unflinching examination of the influence of the Catholic Church and its role in covering up the many and varied offences of its members.
240 films from 72 countries.
The haunting sounds of Fettah’s voice informing Wisal of the upcoming surf, draw us into the opening montage of Atlantic.
The grainy, handheld opening shots of Norfolk indicate immediately that the next 83 minutes are going to be deeply unsettling.
Appropriately, it was the hottest July week on record when I headed down to Whitechapel’s Genesis Cinema for an apocalyptic double bill as part of the East End Film Festival.
Actor Leon Lopez writes and directs his debut feature Soft Lad but unfortunately this British indie flick doesn’t quite deliver on its potentially interesting premise, instead opting to play safe leaving us with a cliché and soap-like feel.