Out on the 23rd of February in the UK, Patriots Day has been hailed a triumph of a film and our cover star, Alex Wolff plays one of the titular characters.
The first thing James Schamus says when we sit down to chat is that he likes my shoes.
With the majority of director Anne Fontaine’s films having a contemporary setting, her latest offering, The Innocents, seems somewhat removed from her previous work.
Tiger Raid is the debut film by upcoming director and screenwriter Simon Dixon and follows the story of two Irish mercenaries Joe (Brian Gleeson) and Paddy (Damien Moloney) who are travelling the deserts of Iraq with orders to kidnap an Iraqi woman.
If Ira Sachs has settled into a niche, it’s clearly a comfortable one.
David Mackenzie is hardly new to the film industry, releasing his debut feature, The Last Great Wilderness, back in 2002.
Acclaimed director Jaco Van Dormael’s latest film The Brand New Testament is a departure from his usual fare, drifting from drama to comedy.
Wiener-Dog, writer-director Todd Solondz’s eighth feature film, is not about a dog–wiener or otherwise.
Currently filming the internationally renowned series Midsomer Murders, playing new sidekick DS Jamie Winter, Nick Hendrix is an anticipated rising star on screen.
A first feature film is a filmmaker’s best opportunity to make his or her mark, to fully assert themselves as a cinematic voice to be reckoned with.
If you’ve seen any major, mainstream sci-fi or fantasy movie in the last decade, there are good odds you’ve seen Toby Jones.
As first major film roles go, appearing in an Italian auteur’s demented collection of fairy tales, appearing alongside Toby Jones, an ogre, and a giant flea has to be one of the more memorable.
It’s possible that Kate Beckinsale has been a bit undersold by a career so far dominated by the likes of four entries in the Underworld franchise (with a fifth on the way) and a few recent duds like the Total Recall remake or last year’s Absolutely Anything.
Whit Stillman’s slim filmography belies the depth of his contributions to cinema.
Despite having written and directed four short films before venturing into feature-length with his outstanding debut Departure, British filmmaker Andrew Steggall comes from theatre, having trained as an actor at London’s Central School Of Speech and Drama and later turning to theatre directing.
Lucile Hadzihalilovic isn’t exactly a household name – and not just because most of us wouldn’t be quite sure how to pronounce it.
Documentarian Jayan Cherian’s debut fiction feature, Papilio Buddha, proved so controversial that it was banned in his native India, despite international acclaim.
With its titular monolithic housing block and alt-’70s setting, Ben Wheatley’s High-Rise is a bit of a design dream – even if the film itself hews closer to nightmares.
Ben Wheatley has been one of British cinema’s critical darlings ever since his 2009 feature debut Down Terrace, and he’s continued to experiment with form and genre since with the likes of Kill List, Sightseers and A Field in England.
After a successful festival route that included Toronto, London, and the Berlinale, David Farr’s feature film debut, psychological thriller The Ones Below, finally arrives in UK cinemas, channelling Hitchcock, Lynch, and Polanski but also announcing an interesting new voice in British cinema.
Luca Guadagnino is not an easy man to interview.